How to tackle the Tabernacle
Posted: Thu 14 Jan, 2021 1:48 pm
Hi,
As mentioned in my recently posted introduction (on the Introductions message board - if thats the correct term for it) I have made a 'Tabernacle Frame' - my first attempt - for a double-portrait painting that I've recently completed (see attached - assuming I've been successful with the file attachment process - I can't tell).
I'm ready to paint and finish the frame, but am not quite sure what direction to take with it. I'm thinking black with gold-leaf for the inner-most frame that surrounds the painting itself.
I may also go fully medieval on it (or at least full Rennaisance) and introduce some calligraphic elements (names of the sitters at the top, and title at the bottom - possibly also in gold leaf if I can master the technique. Im thinking, I've gone this far, I may as well go the whole hog!)
But would welcome any thoughts and suggestions.
Thanks in advance!
Andy
As mentioned in my recently posted introduction (on the Introductions message board - if thats the correct term for it) I have made a 'Tabernacle Frame' - my first attempt - for a double-portrait painting that I've recently completed (see attached - assuming I've been successful with the file attachment process - I can't tell).
I'm ready to paint and finish the frame, but am not quite sure what direction to take with it. I'm thinking black with gold-leaf for the inner-most frame that surrounds the painting itself.
I may also go fully medieval on it (or at least full Rennaisance) and introduce some calligraphic elements (names of the sitters at the top, and title at the bottom - possibly also in gold leaf if I can master the technique. Im thinking, I've gone this far, I may as well go the whole hog!)
But would welcome any thoughts and suggestions.
Thanks in advance!
Andy